Music

Patrick's music has been performed in twelve cities and four countries (Sarasota, FL; Ithaca, NY; Cambridge, MA; Portland, OR; Seattle, WA; Los Angeles, CA; Monterey, CA; Oxford, UK; Sassari, Italy; Victoria, Canada; and Detroit and Royal Oak, MI). He has been commissioned by the Harvard University Wind Ensemble and the Musicology Faculty Choir of the University of Pavia, Italy. His music has also been performed on tour by the Cornell University Glee Club and a subset of the Cornell University Chorus. Patrick has also written music for live theatre and for a fashion runway show. He has performed with the Cornell and Harvard Glee Clubs, the Cornell Chamber Singers, and the Fellows of the Harvard University Choir, the St. Joseph Shrine Cappella and Chant Schola, inter alia.

I consider my compositions to be living works of art, always open to being edited and revised to facilitate performance at different skills levels and occasions. My choral music, for instance, can readily be adapted into accompanied solo pieces, piano and organ solos, or from SATB choirs to men's or women's ensembles. 

To contact Patrick for performance opportunities or requests for new pieces, kindly reach out via LinkedIn.

Note - the Google Drive links below may take a few seconds to load!

Sacred Choral (Liturgical)

• Op. 105: Responsorial psalm "Deus misereatur" - O God, Let All the Nations Praise You

  • • recording

• Op. 101: Missa brevis a 3 (2022) – Kyrie, Sanctus, Benedictus, Agnus Dei

  • • Version for men's choir - recording (I especially recommend hearing the Sanctus!)

• Op. 100: Ave Maria (2022)

  • • proof-of-concept recording

• Op. 98: O Sacrum Convivium (2021)

  • • Version for men's choir - recording

• Op. 97, No. 3: Completi sunt dies Mariae (2021)

  • • Version for mixed choir

    • Version for men's choir

• Op. 96: Jesu Redemptor omnium (2021)

• Op. 94: Propitius esto (men's choir, 2021) - recording

• Op. 93: Oculi omnium (2021)

• Op. 91: Benedictus es (2021)

• Op. 90: Jubilate Deo – Alleluia! (Paschal Alleluia, 2021)

• Op. 89: Panis Angelicus (2021)

  • • Panis Angelicus: Version for soloist and organ

• Op. 87: Mass for Choir and Organ (2021)

• Op. 71: Magnificat (in English, with solo organ version included; 2019)

• Op. 68: Te Lucis Ante Terminum (in either Latin or English, 2019)

• Op. 59: Requiem brevis (2017)

• Op. 52: Desert Alleluia (2017) - recording

Sacred Choral (not necessarily Liturgical)

• Op. 82: Moon Hymn (in Timucua, 2020; text from a 16th-century catechism)

• Op. 81: Immortal Detroit (2020)

• Op. 74: Go Down, Moses (duet for two sopranos or two tenors, 2020)

• Op. 65: Shining Like the Sun (2019; text by the Rev. Thomas Merton) – premiere recording by the Cornell Glee Club

• Op. 63: Satala Iqua Icoleta for organ and choir (in Timucua, 2019-2020)

• Op. 61: Cambridge / New Town (2018)

• Op. 51, No. 3: Cordeirinha linda (2017)

• Op. 29, No. 1: Galician Carol (women's choir, 2015) – recording

• Op. 29, No. 2: Candlemas Motet – Nunc dimittis (vocal trio, 2015) – recording

Organ

• Op. 99: Pange Lingua for organ (2021)

• Op. 95: Reflections on the Sorrowful Mysteries (2021)

• Op. 83: Prelude No. 3 ("for a cloudy day") (2020) – may be performed simply as Prelude No. 3 

• Op. 78: Detroit Toccata (2020)

• Op. 72: Toccata on Edward’s Name (2019)

• Op. 67: Prelude No. 2: d'après CPE Bach (2019)

• Op. 64: Prelude No. 1: for organ (2019)

• Op. 41: Three Liturgical Processionals (2015) – recording of performance by Carson Cooman

Opera

• Op. 57: The Death of Cacambo (2017-2019)

• Op. 42: Eyes That Do Not See (2015-2016)

• Op. 25: La Tricotea (2014-2015)

Solo Piano

• Op. 80: Ferndale Sonata (2020; in three movements) 

• Op 79: Swing Low, Sweet Chariot (2020)

• Op. 73: Style Brisé (2018)

• Op. 76: Toona-Town Rag (2020, for either two or four hands)

• Op. 36, No. 3: Capriccio (2015)

• Op. 32: Sonata brasileira (2015); abridged version published as Impressões brasileiras in a commemorative edition for the 50th anniversary of the Villa-Lobos Institute in Rio de Janeiro

Art Song/Accompanied Solo Aria

• Op. 85: Steal Away (2020)

• from Op. 57: Death of a Horse (Morte do Cavalo) (2018) – recording

• Op. 40: The Barberry-Bush (2015; for soprano with either keyboard or wind quintet) – recording

• from Op. 25: How soon hath time (2015) – recording

Secular Choral

• Op. 54, No. 1b: Floridian Bird Song (2017)

• Op. 50: Yacurutú (in Nheengatu, 2016)

Strings

• Op. 66: New Jordan (string quartet)

• Op. 47: Adagio for solo violin (solo violin) – recording

• Op. 30: Violin Sonata – for J. Cohen (solo violin) – recording